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Philadelphia’s Mural Arts program is transforming city streets, with over 3,000 murals created since the scheme was launched in 1984. You can read more about it here.
This Big City is an award winning online publication sharing ideas for sustainable cities.
Our Tumblr is all about the short form and is curated from London and Taipei.
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Philadelphia’s Mural Arts program is transforming city streets, with over 3,000 murals created since the scheme was launched in 1984. You can read more about it here.
“Car Foundry” by ROADSWORTH
“The Philadelphia Mural Arts Program began in 1984 as part of a campaign to eradicate graffiti citywide. Since then, over 3,000 murals have been created; each has become a distinctive part of the city’s landscape. In Philadelphia, mural making provides a unique opportunity for community engagement. It fosters relationships among community members, schools, grassroots organizations, city agencies, and philanthropists.”
Alex Riemondy on Philadelphia’s streetscape.
“As a result of Hamburg’s culture-led growth strategy, many artists and creative professionals felt instrumentalised by the development policies. They have published a ‘Not in our Name’ manifesto to protest against the ‘Hamburg Brand’, as they were not willing to contribute to the creative city image, while paying the price of being displaced.”
Silvie Jacobi on how development in Hamburg is negatively impacting the very people who enabled it to happen.
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Over the last 10 years Hamburg has become the setting for an intense debate around urban policy and creative cities. Some experts have even suggested that the city could constitute a new model for socially sustainable creative cities. We take a look in more detail.
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Uncommisioned urban artz/graffiti out of super floofy moss.
Green your city and satisfy those creative urges. Not suitable for people with a short attention span.
If you’re anything like us, you’re never too far from your Moleskine notebook. And if you haven’t reached that level of addiction yet, now’s a great time to get going as we’re running a competition with the guys at Moleskine to win €50 (that’s around $65) of vouchers to spend in the Moleskine Online Store.
The vouchers are in Euros but they can be spent in any Moleskine Online Store so those of you in the UK and North America are totally welcome to get involved! We’ll draw a winner at random on December 20th.
To enter the competition simply give this box a click, watch the video and answer one easy question about it…
…what colour is the ukelele?
And if you give us your answer AND reblog this post, we’ll enter you twice!
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This is not your typical post office. Five years after Deutsch Post relocated, a fleet of young creatives have taken over this Berlin building, transforming it into a dynamic venue for the arts. More here
‘Waiting spot’ installation for MINI at Dutch Design Week by Izabela Boloz Studio in collaboration with Kasia Zareba.
(via urbnist)
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Zone One of the London Underground map made from drinking straws.
[Copyright Kyle Bean. Photos: Jean-luc Brouard]
(via nickoftimela)
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Check out our latest interview with the founder of London’s Southbank Mosaics.
“Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone just threw at your head. You owe the companies nothing. Less than nothing, you especially don’t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don’t even start asking for theirs.”
(via panoptic)
Plastic Garbage Guarding the Museusm by Luzinterruptus. [via]
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Staten Island salt mountains or piles of useless inventions? Our new post can’t decide if it’s fact or fiction. More here.
“Dubai is a city that belies any traditional framework of urbanity. It’s gargantuan real estate developments coupled with its often criticised insouciance of community and culture make it a city that will struggle to be considered a creative hub. With a highly transient population that has a lack of engagement with the city, Dubai has had to formulate an urban creative buzz that has a qualitatively different ethos to that of other world cities. Yes it is manufactured, manicured and manipulated – but the geography of creativity is irrevocably Dubai.”
Oli Mould on Dubai’s unique creative communities